| Dynamic Microphones |
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The MD 421 II is one of the best known microphones in the world. Its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcasting applications. The five position bass control enhances its 'all-round' qualities. |
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By virtue of its design and features, the MD 431 II ranks amongst Sennheiser's most exceptional microphones and is suitable for vocal, speech and broadcasting applications. |
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The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. |
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The MD 21 U can be used for both speech broadcasting (interviews, reporting, discussions, etc.) and music broadcasting (boom and room mics). |
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The MD 22 is a high quality reporter's microphone. Above 1 kHz, the directivity of the omni-directional transducer increases with the frequency, thus noticeably muting off-axis sound while avoiding all those disadvantages which are usually associated with directional microphones. Special body coating minimises handling noise. |
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The COM 190 is a gooseneck microphone with reed switch and integral XLR connector designed for public address systems and conference applications. |
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The COM 195 is a gooseneck microphone with integral open-ended cable for direct installation. Designed for public address systems and conference applications. |
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The MD 425 is a high quality dynamic super-cardioid microphone. Due to its excellent acoustic properties, the MD 425 is especially suitable for vocal and speech applications in all areas of public address and sound recording. |
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The MD 428 PTT is a talkback microphone with PTT (push-to-talk) function. |
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| MKE Back-electret Microphones |
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The ME 62 is an omni-directional microphone head suitable for K6 and K6P powering modules. It can be used for reporting, discussions and interviews. The ME 62 is particularly suitable for good reproduction of 'room' ambience and 'spaced omni' stereo recording. |
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The ME 64 is a cardioid microphone head designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. |
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The ME 65 is a super-cardioid microphone head designed for use with the K6 and K6P powering modules. It is especially suited to vocal and speech applications. |
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The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. |
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The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. |
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The MKE 300 has been specially designed for use on film and video cameras/camcorders. It is fitted onto the camera's flashmount and by virtue of its super-cardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing at. |
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| MKH RF Condenser Microphones |
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The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'. |
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The symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications. As a support microphone it is particularly useful in the effective suppression of sounds from adjacent sound sources. |
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The MKH 40 has a large number of applications, for example as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with instrumental groups or for speech applications. Its wide-angled, neutral directional characteristics and high level of reverse attenuation ensure an exceptionally balanced sound. |
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The super-cardioid MKH 50 offers a higher attenuation of diffusefield and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent. |
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The MKH 70 is a lightweight long gun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources. |
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The MKH 80 is a variable pattern condenser microphone with five switchable pick-up patterns. It is a superior microphone for any recording application, offering high clarity and the absolute minimum colouration. It is visually unobtrusive due to its compact design. |
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The MKH 800 condenser microphone is the first microphone to fully utilise the wider frequency response and dynamic range of the new high bitrate standard of advanced digital recording systems (for example SACD). Featuring five switchable pick-up patterns, the MKH 800 is a superior microphone for any recording application, offering high clarity and the absolute minimum colouration. |
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The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications. |
